Emily Burg
Most African tribes and ethnic groups participate in a culture tradition of carving masks. The African masks date back to as early as the Paleolithic times. They are amongst the finest art creations in the world and many collectors today would die to have them. The masks can be viewed in museums and art galleries all over the world (“How African Masks are made”). The masks are made of an assortment of materials. They are used typically for celebrations, initiations, crop harvesting and other specific times. They usually represent a spirit, and it is believed the people who wear the masks are possessed by the spirit.
The African masks are made by a variety of materials including leather, wood, metal and fabrics. Wood is mainly used but is not the sole material (“How African masks are made”). Some carvers prefer certain types of wood for their masks, and it is believed that there is a symbolic link between certain masks and certain trees. The masks are carved usually from a single piece of wood. Some masks have movable jaws and need multiple pieces of wood. The tree of choice is chosen and is chopped down; the carver then waits for the piece of wood to dry out. They use simple tools in order to carve the masks including an adze, a knife, and gouge (“How African masks are made”). They shape the main features and then go back after in order to add the final details with the gouge and adze. The way they make holes is through the use of an awl, or burned through with a hot iron. They rub the finished mask with sap of certain plants or with oil to give it a glazed look.
Ethnic groups including the Tembe, Dyula, Dan and Senufo have made masks in cast or hammered brass or bronze. Some of these are face masks where as others are pendants. Most materials are the masks are invariable combined with others. The materials range anywhere from metals, to fur, to leather, hair and even teeth! The masks can either be worn vertically covering the face, as helmets encasing the entire head, and as crest resting upon the head (“African Masks”). [Probably have to add some sort of voice here but not exactly sure what to write.]
Masking ceremonies have gone over for thousands of years, and were a very important part of African life. Due to the fact that the vast number of people have lost some of its tribal identity and culture, the masking ceremonies are no longer common in Africa. The ritual ceremonies usually depict deities, spirits of ancestors, mythological beings good and or eve, the dead, animal spirits and others who have been in power (“African Masks”). The masks may be honored with ceremonies and gifts. A mask ceremony is usually held during celebrations, initiations and other important times. The masks usually are worn by a chosen or initiated dancer. When the mask ceremony begins, the dancer goes into a deep trance (“How African masks are made”). During this deep trance the dancer communicates with the spirit or ancestor. Sometimes the dancer is accompanies by a wise man or translator in order to interpret or translate the message from the spirits through the dancer. Usually the ceremonies also include music and dance played by traditional instruments (“How African masks are made”).
The African masks and tribal art have had an impact on western art. At first western artists did not appreciate the spiritual and social functions of the masks. It was first viewed as just a strong visual impact but most western artists were ignorant about the meaning behind them (“African Masks”). Sadly many collectors say that the character of the generated masks from western cultures do not possess the same spiritual aspect to them in comparison the authentic masks (“Heilbrunn”). The modern use of the masks are more for visual effect in comparison to when they were actually used to connect with spirits and ancestors to bring upon a calling from them. They were viewed and used as guiders and whoever wore the mask was chosen for a reason (“African Masks”). Compared to how we see the masks now, we basically just have them on display they are not being used for their original purpose for their spiritual connection.
Some western modernist artists were drawn to African masks due to the sophisticated approach to the abstraction of a human figure. Different geometric patterns are sometimes used to distinguish between male and female masks. Certain patterns including zigzag, parallel, and curved lines represent scarification marks, and can denote a social status or magical/religious powers (African Masks). In order to make these masks it took a lot of steady sculpting skills. The precision and the details that were put into the masks by the simple tools that were used is amazing. Personally, making small details with basically a wood pick seems very difficult. If you chip off too much wood, that requires you to have to either trim down more to even it out or have to improvise from the mistake you made. It would be interesting to talk to a carver and ask if they had any influence from a specific spirit in order to guide them to what they are carving or why they are doing it a specific way.
• I will probably have to cut down on information and need to add more voice, not exactly sure what to talk about. It seems pretty straight forward.
“African Masks – The Use of Pattern on an African Mask.” African Masks. N.p., n.d. Web. 11 Apr. 2013.
“Heilbrunn Timeline of Art History.” African Influences in Modern Art. N.p., n.d. Web. 11 Apr. 2013.
“How African Masks Are Made.” African Masks, Africa Art, Balinese & Tibetan Mask, Wood Carvings, Indian Paintings & Tapestries. N.p., n.d. Web. 11 Apr. 2013.